Correct me if Im wrong (not unknown), but shooting an ISO 800 film at EI1200 is underexposing the film and not overexposing. I say that as someone whos just committed to shooting only P3200 and Ektachrome E100 for at least 6 months in a bid to learn these two returned-to-market films from Kodak properly. Higher ISO films like ISO 400 are meant for everyday handheld shooting in daylight. - And particularly a B&W film that's not too dramatically contrasted, so rather balanced when it comes to that. window.__mirage2 = {petok:"k4RWgDbFvbNk8qz6zetNO.HksqXvh2SvW1GnJRb5vTw-1800-0"}; I do have an exposure-adjustment on the particular camera I want to use for it, which I'd already be turning down by one step when I'd be using 3200 at the camera's maximum setting of 1600. Depending on how persistent the rain is. Prior to shooting Portra 800, my biggest concern or sense of limitation with regard to this film was its higher speed. Pull - Halving the amount of light by -1, -2,-3 stops. Also make it easy on yourself by using a fast lens like a 50mm 1.8 or 28mm f2 or 2.8. Which is why I would again recommend an. The same is true in reverse. Compact film camera to handle high iso sensitivity. Shoot that one at 6400 - or even push it to 12,800. The number of distinct words in a sentence. One way CineStill recommends is using a 85 or 81 filter for daylight images with this stock. When the ISO setting is low, the sensor is less responsive to light, so, therefore, it requires more light to create a well-exposed photograph. I only shot two or three rolls have a couple in the fridge but I think its a waste of time. For shooting at night or indoors with dim lighting use an ISO of 1600 or higher But the intent of this camera/film would be mixed scenes. They put high(er) speed films . It sounds like I need to keep one handy for exactly this kind of situation. Remember the old wise advice: "Expose for the shadows and let the highlights take care of themselves". Technically, an ISO 800 film would be the safer choice. Rather, I would shoot an entire day on film, and actually enjoy my dinner at night and sleep early. A: 50Daylight is a ISO 50/18 speed daylight balanced (5500K) motion picture emulsion, prepped and rolled for clean safe C-41 standard development as an ISO 50 film. And again, I suppose I could (guess and) adapt using the exposure-adjustment as conditions change, much like I did on digital cameras. Kodak Portra film rated at ISO 800. . And here are the same comparisons of Portra 800 in the shade with the last comparison on Kodak . Though I do think that even if I did, it shows whats possible with this film in these sorts of shooting circumstances. A typical use case was tele action photos without a tripod. Well, thats enough encouragement for me ;-), I will write something about my experience with it then. This is because the analog gain never changes in the BM cams. In general, disposable cameras have ISO values of 400 or 800, suitable for daylight and sunset photography. With the knowledge that I could get the sort of low-grain, high-sharpness results out of Portra 800 with a good quality lens, I soon decided to pair it with the frankly awesome Zeiss 35mm f/1.4 ZM and some landscape shooting in Wales. High ISO film typically costs around 50% more than slower film, too. Can you shoot Cinestill 800 at 400? Related Post: Pushing Cinestill 800T to 1600, Photos by u/asonjones, u/asonjones, u/cheerymy, u/joko2105, u/ChillonDang. For daylight, you use ISO 100 or 200 film, for indoors, you generally use ISO 400 film, and so on. But you will run into issues: You are getting the drawback of high ISO film (grain) without the benefit (high sensitivity). Right: colour-corrected. CAMERA; if youre shooting one of those cheapish P&S that only reads 100 & 400 then Portra 400 is king. Actually, now Id got to grips with my scanning processes, what really interested me when I scanned this roll is that I found it much easier to get the more saturated colours I like. "fast film". As it turns out it is at least fairly happy with overexposure. The filter will also darken the image, so you will need to meter at 400 on a handheld meter to compensate. a set of physical colour swatches that you can photograph and then use as a reference for easy colour correction youre stuck with what youve got. There's nothing inherently incorrect about using 1600-ish speed film outdoors. My remark of "there's nothing from keeping me" is to deter answers like "There's no wrong answer, get creative. There are a couple ways to cut down on exposure and create a warmer image with more accurate color when shooting this stock in daylight. Or, you could shoot this film at 800 and get more leeway in terms of aperture/shutter range. To get the more saturated colours from Portra 400, Ive always found I need to overexpose it a bit or that I need to push the colour more in post. This doesn't mean that I can only shoot it in bright situations. Shoot a 100-speed film and gain two extra stops (+2) by shooting at ISO 400 and develop it at ISO 400. ", because that's too arbitrary. But to a light-sensitive emulsion, these are all different colours. By the time I picked up a roll in January this year, it was again because I was shooting a slower-lens in the winter months. These next shots were taken at EI200, and though this seemed to emphasise a yellowish-shift in the scans, it was nothing I couldnt post-process out with relative ease. Has 90% of ice around Antarctica disappeared in less than a decade? I know the graininess will be worse with 800 iso but can i shoot it during the day or during the early evening without it ruining my photos? So for the best possible image quality when shooting at night, keep the ISO as low as you can. But sometimes I run into films I like that are as high as ISO 1600 or 3200. Regardless, the ideal ISO/EI to rate this film at will always be somewhere between 400 and 800 without push processing. Picture a lens filter with an orange-tinted colored piece of glass in front of it. As in, just using shorter shutter-times and higher apertures to not get too much light in. In fact, it was this next roll the one I mentioned at the beginning of the post with the Konica Hexar and Voigtlander 50mm f/1.2 that really sealed the deal for this film for me. That said, as Ive alluded, with a 50mm f/1.2 lens mounted to a camera with a maximum shutter speed of 1/4000th of a second, I pretty much feel like I can shoot what, where and however I like.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-medrectangle-3','ezslot_3',180,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-3-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-medrectangle-3','ezslot_4',180,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-3-0_1');.medrectangle-3-multi-180{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:25px!important;margin-left:auto!important;margin-right:auto!important;margin-top:25px!important;max-width:100%!important;min-height:50px;padding:0;text-align:center!important}. The proprietary, advanced Dye Layering Technology (DLT) provides noticeably reduced grain in shadows, allowing you to pull out an amazing amount of shadow detail. Obviously grain is not ideal but it is also not my primary concern, at least at this point in my analog journey. August 1, 2022 by Jodi Carville. The best answers are voted up and rise to the top, Not the answer you're looking for? What Happens If You Shoot 200 ISO Film at 400 ISO? - It's pretty much exactly like you described, a maximum of 1/1000 and f22. What you see here are composite images made with both frames (with and without 85C filter) sliced and arranged next to each other for easy comparison. When it's night time just switch that baby back to 800 because you'll likely need the extra stops of light. The big question is what are the light conditions you are going to be shooting in. Can be pushed to 3000! Yes, you can use ISO 1600 in bright sunlight. At the time, I hadnt quite found my feet with post-processing this cast out, but I was more than happy with the results at the time. Very timely review as Ive just shot my first rolls of Portra 800 in 120 on my Mamiya 6 looking forwards to seeing the results! Continue with Recommended Cookies. I shot it in a Nikon F75 with a fairly basic zoom lens. I was still getting the hang of my Noritsu scanner and so hadnt felt entirely comfortable deviating from my usual choice of film. I choose the labs I use for their consistent results, I use my scanner in a specific way and apply fairly subtle process to my scans in Lightroom all to achieve results that I am happy with without too much fuss. As a tungsten balanced ISO 800 film, CineStill is designed to be shot under artificial light and also in low light. Planned Maintenance scheduled March 2nd, 2023 at 01:00 AM UTC (March 1st, We've added a "Necessary cookies only" option to the cookie consent popup. Photography Stack Exchange is a question and answer site for professional, enthusiast and amateur photographers. I think it is the best. What happens when CineStill 800T is shot outdoors in daylight? CineStill 800T shot on Vitessa A. I never knew that and I'm glad if that's the case (always a struggle digitally, even with RAW-flexibility). A couple of rolls later I decided I should give Portra 800 a run for its money in lower light. At ISO of 200, the shutter speed would be 1/200 (or its closest . Finally, you can find a load of my photos taken with this film hereif(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-narrow-sky-1','ezslot_25',194,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-narrow-sky-1-0'); For more articles on 35mmc about the subject matter discussed here, please click one of the following tag links: Contribute to 35mmc for an Ad-Free Experience. Here's the order of changes one more time: f/3.5, 1/80 sec, ISO 100 - Light meter said so. You can speed up this process with the Curves adjustment layer that has image sampling pipettes (to the left of the histogram) which you can use to pick the white, grey, and black points in your photograph. Throwing away 94% of the available light just to use grainy, high sensitivity film when you don't need it isn't going to give you the best image. Unfortunately, I did get a little merry, so cant remember exactly the exposure index at which I shot these, though they were at least 1 if not 2 stops underexposed, and more significantly I didnt push process the film. Thus, we have found 800 to be right in the middle of the ideal Exposure Index range. . I have a tendency to shoot slightly overexposed; however, in post-production, the image is brought back to normal to fix skin tones. Its fine grain, high contrast. If you're looking for a film that you can reasonably use indoors without a flash, but which will also work outdoors in a pinch, go with ISO 400. f/5.0, 1/160 sec . In my experience, the filter required no exposure adjustments. Kodak TRI-X 400 - shot at EI 3200. Like I said; It's not intended as stubbornly shooting high-speed film in bright scenes. I've never really liked shooting indoors or using a flash so I usually avoid it. Does With(NoLock) help with query performance? demonstrates how its grain behaves and illustrates the impressive 10+ stops of dynamic range: The proprietary Sub-Micron Technology [that] enables 2 stops of extended highlight latitude, so you can follow the action into bright light-in a single shot-without worrying about blown-out details. This remarkable emulsion is always in high demand, and its not just the hype: this film delivers for both perfectionists and experimental photographers. This has almost turned into a piece, hey. If your camera's max shutter is limited to (say) 1/1000, and you have a lens with 1/22 minimum aperture, then you can basically only shoot f/22 @ 1/1000, and that's it. - Maybe I should've mentioned that I was looking into B&W films in this case. The rule with Cinestill 800T is, in most people's eyes, that it's a film not meant for daylight photography. For example, a compact point and shoot with a maximum aperture of f/16 and shutter speed of 1/500 won't be able to expose 1600 film properly in bright sunshine (roughly two stops over if you use Sunny 16). Would you say it performs better at box speed though? Id still like to read your piece about shooting Portra 800 under water. As a result of this, I can be fairly confident in saying that the exposure wouldnt have been nearly as consistent as my first roll. I'm new to 35mm photography and am very much still getting the hang of things. In most cases, a 400-speed film will allow you to get perfect exposures without a tripod. PTIJ Should we be afraid of Artificial Intelligence? Thanks to Cinestill 800Ts great exposure latitude, you can easily underexpose the film for photos that appear darker and sport more contrast. With a 400 ISO film, you could take hand-held pictures at 1/8th@f/2.8 free hand. If you are taking photos in daylight, then ISO 800 is too high, as it will introduce more noise and over-exposed images than a lower ISO. Read moreabout our affiliate disclaimer. I typically prefer results taken with the filter, but its not difficult to imagine that certain photographs. You can adjust the stops of light that are let into your lens, depending on the environment. Kodak also makes fantastic black and white disposable cameras. CineStill 800T. Honestly, I think this is a nearly . Utilizing the cinematic VISION Film technology, this film's smooth grain profile pairs with a micro-structure optimized T-GRAIN emulsion to make it especially well-suited to scanning applications, and advanced development . I often create a new layer with pure white and pure black swatches of colour to help me quickly reference how those tones ought to look in the end. . While the clouds certainly didnt make the sun hotter, the light that it gives off after being. Rain - ISO 800. I included a bunch of these results in my review of the lens here, but I didnt go into much depth about just how impressed Id been with Portra 800. And the opposite is true as well. Which is why I would again recommend an 85C colour filter to simplify things and save time. Could be. In fact, for one reason or another, Portra 800 is the colour film that seems to have best responded to how I work, and has given me the most confidence that I will get results that I like over the widest range of shooting conditions. I'm sure the camera's meter would indicate whether or not it's overexposed, but even if it doesn't, is that kind of film prone to being overexposed? Has Microsoft lowered its Windows 11 eligibility criteria? If you need slower shutter speeds or shallower depth of field simply use ND (Neutral Density) filters. Glad to be of service. Shoot that one at 6400 . Thanks to Cinestill 800T's great exposure latitude, you can easily underexpose the film for photos that appear darker and sport more contrast. Depends on the application. Contribute to 35mmc for an Ad-Free Experience-, Ilford Delta 400 My First Roll By Gavin Bain, Fujifilm X-Pro3 Acros-R digital vs. 35mm Acros 100II By Dale Rogers, Digital-Infrared Workflow Begins Before You Leave Home By Dave Powell, https://emulsive.org/reviews/blind-film-review-01-fuji-natura-1600-vs-kodak-portra-800-vs-lomography-color-negative-800-35mm, Kosmonauts: Anna Lisa Wagner - Kosmo Foto, Fujichrome Velvia - Expired & Developed in Rodinal - By Lee Griffith, Leica 35mm f/2 eight-element Summicron and Leica M240 - Candid Portraits - By Steven Bleistein, Camera, Lens, Film and Peripheral Kit Reviews. As an 800 speed film, it seemed only right again loaded into the Konica Hexar with the 50mm f/1.2 mounted, I took a roll out on a night out. "Great for taking photos in water of any sort." You now know how to best handle daylight photos with your roll of Cinestill 800T film so check out these 800T in daylight sample photos below, and use the tips above to go and create your own! Most film has the latitude to handle a few stops of overexposure. They stock Portra 800 here, but also supply something like 200 other films making the website interesting to explore as well as purchase from. Once my adjustments made the image appear close to the reference, I moved on to Shadows and Highlights, returning to Midtones occasionally to fine-tune the results. A lower ISO value means less sensitivity to light, while a higher ISO means more sensitivity. How much should I push my film? If you dont have an 85C warming filter, you may be able to colour correct your CineStill 800T frames shot in daylight that appear to have an undesired blue/teal overcast. While it is certainly possible to fix the photos taken without the filter using software, the job isnt always simple or fast, as you will discover below. As an 800 ISO film, I suppose I had pigeon-holed it as a low-light film. More like well-lit to shadier areas. Holy blazing snotballs Batman I am totally in awe of this film/lens/camera combination.It is such a joy to see how fine, true to colour and forgiving a film can be.This one is going on my bucket list for sure.Thanks HamishTom. Film ISO: 400. In short, your mileage may vary, but I hope that this at least gives a rough idea of the sort of results you can expect to achieve. Asking for help, clarification, or responding to other answers. //